challenging, clever, fun      by Thomas Siwe

Quite simply, some of the most creative and musical pieces for snare drum on the market today.

for piano solo      by Otto Henry

A parable on the Fayuum portraits for Flute, Tuba and Percussion      by Otto Henry

for solo steel drums (double seconds)      by Erik Lund

Just released for 2007, this is a challenging work that is stimulating and musically satisfying - worth the effort!

for solo percussion    by Ned F. Smith

Performed at PASIC 2008 Focus Day, this piece is inspired by the "Ritmica" system of rhythmic independence.

for flute and vibraphone (triangle)      by Olja Jelaska

Featured at PASIC 2006 Focus Day, Duo is a kind of dialogue between the two instruments, as an imaginary conversation.

He's IN the building!    by Tom Bourcier 

"I Saw Elvis" was described by one listerner as "Thelonius Monk meets Bela Bartok."

A quintet for for horns and piano      by Otto Henry

The Fantasy Variations are founded on a group of ten chords written as an example of 20th Century harmony, discovered in an old theory notebook.

for flute, violin, viola and woodblocks or flute, string ensemble and woodblocks  by Steve Kornicki

for percussion ensemble      by Steve Kornicki

Three Elegies for flute, clarinet and piano     by Otto Henry

Otto Henry just completed a new edition of his Images Cinématique suite for flute and clarinet now freshly enhanced with a strong, lyric piano accompaniment.

for three percussionists      by David Macbride

NEW for 2007    Klung reflects the composer's ongoing interest in world music traditions and how they intersect.

for percussion ensemble          by Thomas Siwe

An easy and musical introduction to ensemble performance for young percussionists.

for solo percussion      by David Macbride

Staying the Course (after Rzewski) is dedicated to the memory of all of the American soldiers who have died in the War in Iraq.

In one movement      by Otto Henry

Some of this music dates back to an orchestral work, The Blue Guitar that the composer wrote while studying composition with Gardner Read in 1959.