for amplified clavichord, trumpet, trombone, oscillators and tape delay        by James Fulkerson

Early experiments with oscillators and tape influenced Fulkerson's Now II.

for chorus SATB        by David Sargent

Excellent setting of Nunc Sancte Nobis by Brigham Young composer, David Sargent.

for five percussionists        by David Cope

This quintet for percussion demands some improvisation.

for solo Eb alto saxophone and band        by Michael G. Cunningham

for solo Eb alto saxophone and piano        by Michael G. Cunningham

Cunningham's Ohio River Medley for solo Eb alto saxophone and piano is an exact copy of the version for band and sax.

for unspecified pitched instruments        by Otto Henry

This is a unique experiment in notation from the early 1970s.

for unspecified percussion instruments        by Otto Henry

A minimum of two percussionists, using at least four percussion instruments each, will have fun creating a sonic experience from this easy to play graphic score.

for solo trombone and tape with optional percussion        by Elliott Schwartz

for solo clarinet and tape with optional percussion        by Elliott Schwartz

For this work, the composer gives various examples of how it may be performed.

trio for flute, percussion and double bass        by Pauline Oliveros

This trio for flute, percussion and double bass by noted composer, Pauline Oliveros is ideal for any chamber music concert.

for steel band        by Chin-Chin Chen

A dramatic work for steel band by the young, Taiwanese/American composer Chin-Chin Chen.

for woodwind quintet        by Dennis Eberhard

Professional players will find this one movement quintet challenging but worth the effort.

for band        by M. William Karlins

Passacaglia and Rounds is Karlin's major work for band. Known for his wind and brass writing, this work from 1970 is a tour de force for the college band.

for horn in F and piano        by Roger Hannay

for horn in F and string orchestra        by Roger Hannay