for solo percussion      by David Macbride

Staying the Course (after Rzewski) is dedicated to the memory of all of the American soldiers who have died in the War in Iraq.

for solo percussion        by Paul Steg

for percussion duet        by Paul Steg

Each player needs a mallet instrument (not necessarily Western) and some auxiliary percussion.

for violin, cello and percussion        by Erik Lund

Thought: "When the mouth ceases to speak and the heart is roaring, it's time to listen to the heart."

by Jack McKenzie

Four movements, Shuffle, Waltz, Rumba, Fox-trot, can be performed with any type of drum machine in place of the drum set.

for band        by Barney Childs

This work is for concert band of any size.

Group A: flute or violin; Group B: clarinet, soprano saxophone or viola; Group C: bassoon, bass clarinet or trombone; Group D: contrabass        by Stanley Schumacher

for vibraphone and electronic sounds        by Steve Kornicki

Synchronous Momentum is a five minute piece for vibraphone and prerecorded electronic sound on a CD.

for solo percussion        by Paul Steg

for electronic realization        by David Cope

The Birds may be performed live or realized on tape using old or new technologies.

for solo flute        by Allen Strange

One large page with fragments of music will challenge the creativity of the flautist.

for percussion trio        by Mark Saya

The Fauna of Mirrors is a movement from the suite based on entries from The Book of Imaginary Beings by Jorge Luis Borges.

for percussion trio      by Mark Saya

The Jews have a legend that, at any given time there are 36 righteous men on earth for whose sake the rest are spared. These are the lamed Wufniks.

for solo vibraphone        by Mark Saya

A wild, theatrical work for the vibraphone soloist, with great visual and aural effects.

for soprano solo        by Otto Henry

Four fantasy pieces for solo soprano, the mental impressions of a person browsing through an old mail order catalogue.