for any four players        by Tim Blickhan

Three contrasting sections comprise this unique work.

for flute in 2 parts (NEW 2006)        by Jeffrey Kresky

In Nomine, a flute solo in two parts is an ideal recital piece for the advanced performer.

for violin, two pianos, two percussionists and self-prepared tape        by Roberto Laneri

L'arte del violino is a theatre work that plays on the elaborations usually seen in concerts of "serious" music.

for mixed choir, violin, harp, trombone and tuba        by Morgan Powell

This setting of an original poem by the composer includes sections of vocal improvisation.

for four percussionists and girl announcer        by Roger Hannay

A theatre piece from the late 1960s this work uses an array of standard percussion instruments.

for choir and percussion        by Pauline Oliveros

Oliveros' "Meditation on the Points of the Compass" is an inter-religious, multi-lingual choral composition.

for amplified tam tam        by Rich O'Donnell

A great recital piece for the college or professional player!

for tenor saxophone and piano        by Gregory Kosteck

Dedicated to James Houlik and Chalres Stevens, Kosteck's mini-VARIATIONS is a must for any saxophone recital.

for solo percussion        by G. Allan O'Connor

for solo percussion        by G. Allan O'Connor

Excellent for either high school or early college, this musically demanding solo requires four timpani, snare drum, triangle and marimba.

for chorus SATB        by David Sargent

Excellent setting of Nunc Sancte Nobis by Brigham Young composer, David Sargent.

for five percussionists        by David Cope

This quintet for percussion demands some improvisation.

for unspecified pitched instruments        by Otto Henry

This is a unique experiment in notation from the early 1970s.

for unspecified percussion instruments        by Otto Henry

A minimum of two percussionists, using at least four percussion instruments each, will have fun creating a sonic experience from this easy to play graphic score.

for band        by M. William Karlins

Passacaglia and Rounds is Karlin's major work for band. Known for his wind and brass writing, this work from 1970 is a tour de force for the college band.