for any four players        by Tim Blickhan

Three contrasting sections comprise this unique work.

for Bb clarinet and piano        by Michael G. Cunningham

for saxophone quartet        by Marvin Lamb

A mixture of standard notation and some graphics make this quartet somewhat of a challenge for young players.

for flute in 2 parts (NEW 2006)        by Jeffrey Kresky

In Nomine, a flute solo in two parts is an ideal recital piece for the advanced performer.

for flute, clarinet, horn & piano         by Otto Henry

for two clarinets in Bb        by M. William Karlins

Just A Line From Chameleon was composed at the request of Houston Symphony clarinetist, Richard Nunemaker.

for band or wind ensemble        by Paul Zonn

This piece is interpreted from a large graph.

for violin, two pianos, two percussionists and self-prepared tape        by Roberto Laneri

L'arte del violino is a theatre work that plays on the elaborations usually seen in concerts of "serious" music.

for oboe, harp and strings        by Roger Hannay

The 2001 revision of Lament by Roger Hannay is an extensive recomposition of a 1957 sketch.

for string quartet        by Renee Arakaki

Lamentoso is inspired by a Hawaiian chant which tells of true love sacrificed due to family obligations.

for percussion ensemble          by Thomas Siwe

An easy and musical introduction to ensemble performance for young percussionists.

for mixed choir, violin, harp, trombone and tuba        by Morgan Powell

This setting of an original poem by the composer includes sections of vocal improvisation.

for four percussionists and girl announcer        by Roger Hannay

A theatre piece from the late 1960s this work uses an array of standard percussion instruments.

for piano, cello and percussionist        by Kurt Sander

Meditation on the Nativity is an evocative work inspired by the words of St. Gregory of Nyssa.