for unspecified pitched instruments        by Otto Henry

This is a unique experiment in notation from the early 1970s.

for unspecified percussion instruments        by Otto Henry

A minimum of two percussionists, using at least four percussion instruments each, will have fun creating a sonic experience from this easy to play graphic score.

for solo trombone and tape with optional percussion        by Elliott Schwartz

for woodwind quintet        by Dennis Eberhard

Professional players will find this one movement quintet challenging but worth the effort.

for band        by M. William Karlins

Passacaglia and Rounds is Karlin's major work for band. Known for his wind and brass writing, this work from 1970 is a tour de force for the college band.

for solo percussion        by Jack McKenzie

A single card provides the percussionist with 16 squares of musical information.

for solo percussion        by Jack McKenzie

A colorful circle score offers the performer an opportunity to create a solo of variable duration.

for solo tuba        by James Fulkerson

for French horn and piano        by Thomas Albert

A simple duet for horn and piano that would be an excellent junior recital piece.

for solo percussion        by Yehuda Yannay

for solo marimba        by David Macbride

Peterborough Chorale by composer David Macbride is suitable for intermediate and advanced players alike.

for two percussionists        by Robert B. Morgan

A masterful duet challenging the dexterity of each player.

for any four winds        by William Duckworth

Pitch City is designed to be performed by any four wind instruments.

for English horn and organ        by Gardner Read

Gardner Read has written a beautiful, lyric poem worthy of performance on any recital, or special occassion.

for mixed chorus        by Tim Blickhan

Ideal for high school or community choirs, Blickhan's Canon uses nonsense syllables reminiscent of jazz.